"The Big Short” in review: The fire next time
The film version of Michael Lewis' non-fiction book "The Big Short" is a high percentage earner in the Great Recession sweepstakes.
"The Revenant": Voice in the wilderness
"The Revenant" is a powerful, soaring reverie of love, duty, and survival . . . an environmentalist's epic.
Quintessential Quentin: "The Hateful Eight" reviewed
It's worth seeing because of its scorching onscreen examination of racism -- then and now -- but it completely squanders the big screen process.
"The Green Inferno" is new low in racist film making
Filmmaker Eli Roth, who specializes in the horror genre, has no problem time traveling in the wrong direction.
Dalton Trumbo, the “Spartacus” screenwriter who broke the blacklist
Dalton Trumbo, the jailed screenwriter who broke the Hollywood Blacklist, is making a comeback in a superb biopic.
Rampling and Courtenay: The past preserved haunts the present in “45 Years”
Andrew Haigh's film is a profoundly stirring one about a longtime married couple poignantly portrayed by two cinema greats.
“Mediterranea": Europe’s embattled migrants on film
"Mediterranea" succeeds in putting the stateless, the homeless, and the wretched of the Earth in the limelight they deserve.
“Embrace of the Serpent”: Odyssey into Amazonian "heart of darkness”
Inter-species interaction between outer space aliens and human beings has long been a staple of the science fiction genre.
The world as seen in films from Toronto
The small country of Bangladesh, the poorest nation in Asia, is the location for a couple of interesting films shown at TIFF.
